Four months are over at First Draft. As I write these words, the students are on a three-day holiday to Lonavala. I have advised them to stay away from their writing. I hope they do take this break and enjoy, because the last nine weeks are going to be very hectic, like the rest of the course.
Fifteen weeks are over at First Draft. 105 days! Time really flies when you are immersed in something that is so fulfilling. As of now, thirteen stories are being developed at the course, six feature films and seven shows, and while we apply all the learning to find the right structure to these stories, time and again we remind ourselves that the most important elements for us are characters and the emotions they generate through a difficult but rewarding journey.
Eleven weeks are over at First Draft. Fifteen more remain, out of which, the last five will be spent not in any instruction, assignments or workshops, but in writing first drafts of screenplays. So only ten more weeks of instruction will follow. It is all building up – each student busy with their respective stories, each having unique struggles, and individual journeys. The instruction and the feedback process too has changed now. It is no more a uniform approach, but tweaked to suit each individual and the story he or she is developing.
The second field trip (Exercise in Visual Aesthetic) was on 25th March. A couple of days before this, we had had a lecture on ‘Visual Design in Films’ during which we discussed how filmmakers use images to tell stories. And how these images are made to look aesthetically appealing.